Marriage in Middle Eastern Cultures
Throne
of the Crescent Moon by Saladin Ahmed is set in an alternate Middle East
during the Golden Age of Islam. One of the main characters named Zamia Badawi
is a young girl who is the last member of her nomadic tribe. Although Ahmed
does a good job debunking common fantasy stereotypes such as habits of
whiteness, there are still some misconceptions that are present in his novel
(specifically for women). It is common for women in the middle east to get the
marriage talk starting out at a very young age. Many get pressured into
marriage and believe their only way to be happy is through a husband. Growing
up surrounded by Desi culture and this mindset, I have heard many older women
tell me that marriage is the way to success and a good living. It is believed
that a husband will shower you with happiness, money and everything else you wish.
This same mindset can be seen in Zamia throughout the book. She talks about
longing for a husband and a family so she can have kids and carry on her
legacy. This is the stereotype that in engraved in young women in middle
eastern cultures.
Furthermore, women have always been
poorly represented in the fantasy genre. When women characters do appear, their
primary purpose is to be completely obsessed and in love with the main
character. Zamia is a strong woman who can take the shape of the lion, but
there have been numerous times in the book where she has forgot about her true
journey for a man. Another stereotype in middle eastern cultures is that women
must drop everything and follow their husband. Many women have given up their
career paths to get married and start a family.
Throughout the novel, Zamia is
crushing hard on Raseed, one of the male leads. Zamia continues to mention her
longing for a marriage, and wonders what it would be like to be married to
Raseed. In middle eastern cultures, there’s no way to escape thinking about
marriage. Starting from a young age, girls are told they have to focus on their
looks to make sure a husband would want them. They are also told that they need
to learn to clean and cook so a husband will find them desirable and they will
get a rishta (Hindi/Urdu word for
marriage proposal).
Marriage is so important in middle
eastern cultures that parents will actually put out ads in local newspapers
with resumes to find a potential suitor for their child. Having a successful
career as a woman is seen as to only finding a better chance of finding a nice rishta. Ahmed did a good job of not
hypersexualizing the female lead character, however there are still some
problems with the way his female characters are portrayed. Why can’t powerful
women like Zamia be strong and independent without having another motive related
to a man? Fantasy writers need to work on not making women lives in their
novels revolve around marriage and men.
-Rija Soofi
I completely agree with your analysis of Zamia and her marriage obsession. I was initially so excited about Zamia because she was everything women in Tolkien aren’t allowed to be. She’s strong, fierce, and doesn’t rely on men, but at the end of the day she’s obsessed with marriage, and I was totally disappointed by this. I was really glad to read your analysis in particular on this topic because as you said, marriage is so important in Middle Eastern cultures. I agree that Ahmed has made great strides here in overcoming the damsel in distress stereotype found in fantasy but I feel he seriously stumbled in making his fierce lioness warrior have wedding fever.
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